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The Smithsonian Murders Art
· Wednesday, December 1, 2010
The National Portrait Gallery, part of the federally funded Smithsonian Institution, is presenting an exhibition that does exactly the opposite of what true art does.
When I studied English at Princeton, I had the good fortune to be taught by a series of scholars who in their lectures and precepts drove home the point that art, whether it be in literary or other form, must ultimately be measured by its capacity to make better human beings.
A work of art -- or alleged work of art -- can do only one of three things to a person's character: It can hurt it, improve it or have no impact at all.
A great work of art could have the third result through the sheer insentience of the consumer. Yet if a work is capable of taking serious hold of a person's heart and mind, the question that matters then is the condition in which it leaves that heart and mind. Whether it is a poem, a play, a painting, a symphony or a building, the issue is the same.
The great artists of the Renaissance understood their works this way. Michelangelo designed the dome of St. Peter's to lift hearts and minds to God. Shakespeare insisted Macbeth pay just consequences for his murderous acts. The creations of these two great artists hold the same power today they held almost five centuries ago.
Sir Philip Sydney, the Elizabethan poet and warrior, explained the Renaissance view in his "Apology for Poetry," in which he argued that poetry is superior to history and philosophy because it has a greater power to teach virtue.
Sydney said, "It is not rhyming and versing that maketh a poet," but "it is that feigning notable images of virtues, vices, or what else, with that delightful teaching, which must be the right describing note to know a poet by." The "final end" of poetry, he said, "is to lead and draw us to as high a perfection as our degenerate souls, made worse by their clayey lodgings, can be capable of."
"I affirm," Sidney concluded, "that no learning is so good as that which teacheth and moveth to virtue, and that none can both teach and move thereto so much as Poetry, then is the conclusion manifest that ink and paper cannot be to a more profitable purpose employed."
So to what purpose is the National Portrait Gallery employing ink and paper and other assets these days? Is it trying to move men to virtue?
As first reported by Penny Starr of CNSNews.com, the NPG is running an exhibit through the Christmas season called "Hide/Seek: Difference and Desire in American Portraiture."
A plaque at the entrance to the exhibition says it is "the first major exhibition to examine the influence of gay and lesbian artists in creating modern American portraiture" and that it illustrates "how, as outsiders, gay and lesbian artists occupied a position that turned to their advantage, making essential contributions to both the art of portraiture and to the creation of modern American culture."
One of the "essential contributions" in the exhibition is a photograph that shows two naked blood brothers kissing each other while one holds a gun to the other's chest.
"The image transgresses many dualisms we use to structure society: male versus female, black versus white, 'brotherly love' versus homosexual desire," says a label fixed to the wall of the museum beside the photograph. "And it raises provocative questions surrounding themes of domestic abuse between lovers, perceived violence among black men, and the dangers that come from engaging in an 'illicit' love -- whether it be from disease, homophobia, or a lethal combination of the two."
Another "essential contribution" featured in the exhibition is a Robert Mapplethorpe photograph of two men in chains.
"In this playful inversion of the classic family photograph, leather-clad Brian Ridley sits in an ornate wingback chair, chained and shackled to his dominant, horsewhip-wielding partner, Lyle Heeter," says the NPG's description of the photo.
"Far from submissive, Ridley's wide-legged stance, upright posture, and direct address to the camera indicate that he willingly acts out his chosen sadomasochistic role," says the NPG description. "The machismo of the couple's leather gear is undercut by the flamboyance of their living room -- replete with an Oriental rug, pewter vases, sculpted lamp and clock, and grasscloth wall covering. That this homosexual S&M ritual takes place in the context of the couple's 'normal' life (which also includes antique collecting) powerfully challenges what it means to be a 'normal' or 'domestic' couple."
A video on display at the exhibition showed an ant-covered crucifix, a man's mouth being sewn shut, mummified humans and the frontal image of a naked man lying on a bed. On Tuesday afternoon, after Starr's report appeared on CNSNews.com, the NPG removed this video from its show.
But this tax-funded museum kept the photos of sadomasochistic couple and the naked brothers kissing each other -- and other like-spirited images.
Is the Smithsonian Institution trying to move Americans to virtue through this exhibit? No. It is trying to mainstream vice and perversion. The National Portrait Gallery's "Hide/Seek" exhibition does not celebrate art, it murders it.
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R.M. Smith
Yet one more reason why I have not renewed my magazine subscription to Smithsonian.
Posted December 1, 2010 at 7:56:37 AM
mrkim
Mr. Jeffrey, perhaps the best definition for art is quite simply an externalization of the artists soul. Whether that outpouring is one celebrated my the many, but a few, or even no one but the artist themselves, does that decrease its validity as art? I would have to say, no, it does not.
Most great art has weathered the tests of time as it appeals to greater numbers of those who view, read or experience it.
Many other works fade away into obscurity due to a lacking of appreciation or embracement by those who view, read or experience it, yet its validity as an outpouring of the artists soul, still remains regardless of whatever level of acceptance it achieves.
All art appreciation resides within the one appraising it. However, whether you, I, or anyone else appreciates it, or even agrees with its subject matter or overall content, it is still art :>)
Posted December 1, 2010 at 1:08:38 PM
GordAuch
"All art appreciation resides within the one appraising it. However, whether you, I, or anyone else appreciates it, or even agrees with its subject matter or overall content, it is still art."
In 1964, Justice Potter Stewart tried to explain "hard-core" pornography, or what is obscene, by saying, "I shall not today attempt further to define the kinds of material I understand to be embraced . . . [b]ut I know it when I see it . . .
Posted December 1, 2010 at 1:23:40 PM
mrkim
As a secondary to what's stated above: Well appreciated (great) works of art can garner millions of dollars from those who seek it while greatly lesser (appreciated) works can be had for pennies or sometimes simply given away ;>)
Posted December 1, 2010 at 1:54:22 PM
Marcus
Art is a product for consumption and nothing more. It possesses no more intrinsic greatness than a McDonald's cheeseburger. The fact that more people like and thus consume a cheeseburger vs. a Monet or Shakespeare doesn't render it less of an accomplishment or reduce it's importance in human experience. People that consume "art" are simply inflated egos looking around a museum for suitably arrogant kinship. the fact that the NPG is diplaying these vulgarities is simply a testament that, just like most of TV, the "creative" folks are just out of ideas.
Just about everybody out there likes a pretty or interesting picture just like they like a good cheeseburger. There are various ideas of what is really good due to different tastes, but nobody wants feces on their cheeseburger and all reasonable people agree on that. Why would I want feces in the picture on my wall? I wouldn't.
And thus, why should I the taxpayer be forced to pay for feces to be hung in the Smithsonian? If the wacko's want funding for the crap being produced now in the name art they shouldn't be using money from us unappreciative knuckledraggers. Only idiot wealthy benefactors should commission these works and their names boldly printed on the description plates....
Posted December 1, 2010 at 2:12:00 PM
Ruffslitch
If the so-called "artists" who produce this sort of thing were truly in demand they would find themselves an old-fashioned patron to commission these works as Marcus so aptly suggests. Since taxpayers are forced to provide the funding for these obscene images that would seem to prove that there IS no demand for such an exhibition.
The art springing from the tormented souls of these LGBT ( GLBT? BLTG? ) artists can be expressed in their private atleiers if it will make them feel better. As a heterosexual I am afforded no such free stage upon which to work out my childhood issues and I seem to make my way in the world just fine-except for missing the money the government takes out of my pocket to fund someone else's therapy!
Posted December 1, 2010 at 3:00:00 PM
Charles E Pehl
Great Art? Sorry, the Emperor is wearing nothing!
Posted December 1, 2010 at 3:20:02 PM
Sammy
There is art and there is trash. It is fairly easy to tell the difference, unless you have an agenda to push.
Posted December 1, 2010 at 3:31:56 PM
TJS
Art students I knew in college made it very clear they thought art was then a nihilistic mockery of classical, beautiful art of the ages. I see little has changed in 30 years. Back then, I suggested nailing a cow pie to a board and calling it art - they were impressed with my creativity.
Posted December 1, 2010 at 3:39:01 PM
jack
It is our government and our "leaders'" attempt to normalize the gay / lesbian and low moral life-style... That is a crime in itself. But be real, there are very few programs that do not push the "alterante lifestyle" and low moral character in both television and government any more. Check the popular shows on CBS. I now prefer to watch "Antiques Roadshow"
Posted December 1, 2010 at 3:51:46 PM
Alexander
Get a life, guy. Art isn't a one way street and sex isn't only missionary.
Posted December 1, 2010 at 4:30:25 PM
Jody
Art should invoke the emotional response desired by the artist in the person experiencing it. Therefore, if the "artists" providing the "art" in the Smithsonian are desirous of disgusting their viewers (which I think is highly likely,) then I would say that their art is extremely successful.
There is nothing in the Constitution that allows the Government to fund "art" in any form. The Smithsonian would be much improved by being taken over by private subscribers with the right and the cajones to take out the trash.
Posted December 1, 2010 at 4:39:21 PM
DocBob3
A subsciber of NGM since the '60's, I dropped my subscription because I got tired of reading about global warming and not the other side about this issue.
I will also cancel my subsription to Smithsonian since they have brainless policy makers of what is "art".
Posted December 1, 2010 at 6:11:59 PM
BoFromTexas
I can define art for everyone. I am not an artist. I know that. I can carve rude figurines, or paint 2nd grade quality pictures, but I am not an artist. Art is what I cannot do, meaning an unusually skilled and talented presentation of an idea or picture or whatever. Photos of fags dressed up in SM gear is not art because any sixth grader in the country can create that trash with cheap camera and some props. Mapplethorpe is not an artist. He is a stupid jerk. The people at the museum who wrote the descriptions are hilarious. They even take themselves very seriously. However, as Charles Pehl stated above, "The emperor has no clothes on!" Real art sells well. Crap needs to be subsidized.
Posted December 1, 2010 at 8:19:28 PM