Options
The Passing of E-6
· Wednesday, September 1, 2010
Most people have no idea what "E-6" is. To avid baseball fans, E-6 is the way to record an error by a shortstop on your scorecard. But there is another E-6, in photography. This E-6 is the developer in which color slides are processed.
Recently, I received an e-mail from Chromatics, a photo lab used by professional photographers in Nashville, that they will be discontinuing the developing of color slides and color transparencies in general, after September 9th. This was sent to me as an old customer of theirs.
The passing of E-6 is the passing of an era, because it means that so few professional photographers are using color slides and transparencies these days, in this era of digital photography, that a major photo lab does not get enough of this kind of film to develop to make it worthwhile to stock the chemical that is used.
The films used to make color prints-- as distinguished from slides-- are processed in a different developer (called C-41), and the market for that is still good. But the biggest reason for the decline of color slides is undoubtedly the rise of digital cameras.
The fact that Chromatics will no longer process color slides in E-6 does not mean that nobody will be doing so. No doubt other photo labs in some other cities will continue to develop color slides and color transparencies-- at least for a while.
But the handwriting is on the wall.
To those of us of an older age (80 in my case), this passing of one more icon of our era makes us feel like we are relics of a bygone time. I can remember when I used to develop my own color slides in E-3, a long ago predecessor of E-6.
Another photographic icon that vanished in recent years was Kodachrome, the film that put color slides on the map. A few years ago, Kodak announced that it was being discontinued. For many years, Kodachrome was the finest color film in the world.
Even after other color films caught up with it, and even surpassed it in some respects, it was still a great film to have, because it did not require refrigeration, as other color films used by professional photographers do. It is a big nuisance to have to take a cooler with you when traveling with professional color film.
The reason for the differences was that Kodachrome did not have dyes in it, like other color films, and it is the dyes that are so vulnerable to heat. Kodachrome was actually three layers of black-and-white film, each layer sensitive to different colors, with the dyes being added later, during the developing process.
It was a more complicated process than developing slides in E-6, and Kodak preferred to develop Kodachrome itself, rather than risk having other processors do a second-rate job that would harm the high reputation of Kodachrome.
For years, Kodak sold Kodachrome with the processing included. When you finished taking your pictures, you simply put your 35mm film cartridge in a mailer that came with the film, and mailed it to the nearest Kodak photo lab.
Unfortunately, our saviors in Washington decided that it was illegal for Kodak to do that. Why? Because it gave Kodak a "monopoly" on processing Kodachrome.
Any photographer who did not like this arrangement was free to use some other color slide film, one that could be developed in E-6. As so often happens, the government was solving a non-existent problem-- and creating a real problem in the process.
Most photographers who used Kodachrome still preferred to have Kodak develop it. So we had to buy the mailers separately -- and keep track of how many mailers we had, to make sure we had enough for all the rolls of Kodachrome we had.
When Kodachrome was discontinued, I was left with mailers that cost money but were now worthless.
Fortunately, only the U.S. government had this ridiculous ban on selling the mailers and film together. When I was traveling in other countries, I bought the combination together and could mail my Kodachrome to be developed in London, Paris or wherever.
Now that E-6 seems to be following Kodachrome on the path to oblivion, we relics of the past are left with color print film, but the time may yet come when we will just have to cope with digital.
Someone once called me "the last of the Luddites." The passing of E-6 makes me feel that way.
COPYRIGHT 2010 CREATORS.COM
Third-party content does not necessarily reflect the opinions of The Patriot Post.
Options
Subscribe
American Spectator Editor in Chief R. Emmett Tyrrell: "The Patriot is an indispensable resource for sound conservative opinion." It's Right. It's Free. Subscribe now!
The Right Opinion
- Arnold Ahlert: CPAC Braces for Union & Occupier Chaos
- Michael Reagan: A Little More Heat
- George Will: GOP's Murky Rhetoric on National Defense
- Larry Elder: Aren't Republicans Supposed to Be Colorblind?
- Thomas Sowell: The Anti-Romney Vote
- Ann Coulter: Plutocrat Dems Attack Romney as 'Richie Rich'
- Burt Prelutsky: Was Idi Amin Smarter Than Martha Stewart?
- L. Brent Bozell: The Secular Media vs. Religious Liberty
- R. Emmett Tyrrell: The Delousing of a Movement
- Jonah Goldberg: Liberals are the True Aggressors in Culture Wars
- Cal Thomas: Fudging the Numbers
- Michael Barone: GOP Must Convince Young People It's the Party of Options
Grassroots Commentary
Policy and Analysis
- Heritage Foundation Insider
- Heritage Foundation Research
- American Enterprise Institute
- Center for Strategic and International Studies
- The Cato Institute
- Hoover Institution
- National Rifle Association
- Ludwig von Mises Institute
- Citizens Against Government Waste
- National Center for Policy Analysis
- The Heartland Institute
Our Mission
"The Patriot's mission is to advocate for Essential Liberty, the restoration of constitutional limits on government and the judiciary, and to promote free enterprise, national defense and traditional American values. Our objective is to provide Patriots across our nation with a touchstone of First Principles through brief, informative and entertaining analyses of relevant news, policy and opinion from reputable research, advocacy and media organizations, so they may better support and defend those Principles, and enlist others to join our ranks." —Mark Alexander, Publisher
The Patriot Post is not sustained by any political, special interest or parent organization, and we accept no advertising. Our mission and operations are funded entirely by the voluntary financial support of Patriots like you!






















MacPUBLIUS
Mr. Sowell,
The passing of E-6 and Kodachrome is a lot like the passing of the B-52 bomber. She was the greatest war bird ever built, bar none. She still had a lot of life left in her and as a weapons delivery platform her capabilities were only limited by our imaginations. Although I am 25 years your junior, I feel your pain. The reality is that the federal government does not exist to save money or make money; only to take our money and waste our money. Unfortunately, the arrogant feds are now wasting the brain power and capabilities of 77 million baby boomers as well.
Mac McDougall
Captain (Ret.) USAF
Gulf War Veteran
"Youth is wasted on the young." George Bernard Shaw
Posted September 1, 2010 at 5:44:34 AM
Anthony Kohler
Like you, sir, I mourn the passing of E-6, although I do know of at least one lab (Slideprinter in Denver) which will likely be offering E-6 for a while. Like you, I mourn the passing of K-22 and Kodachrome.
But most of all, I mourn the gradual passing of film. I love my 8x10 - but it will not be long before it is impossible to find anything but a couple of black and white emulsions in any size larger than 4x5. Even that will pass, and I may still be alive to see it.
Ansel Adams will likely be spinning in his grave.
Anthony Kohler
Vietnam Veteran
187th Assault Helicopter Company
Posted September 1, 2010 at 7:22:30 AM
Rob Wilson
Great column, Tom - I switched to digital about 8+ years ago and have not regretted it. Digital is easy after a fairly short learning curve. But the real point of your column, more government interference where none is called for, is typical of the clowns we have in Washington. I firmly believe that many folks could be elected to office on a platform of "repeal everything". I personally would support that platform 100%.
For your upcoming digital camera purchase, allow me to recommend the Olympus E-620 if you want an SLR, or the Olympus E-PL1 for a more simplified approach to photography - but with the same chip in it as the E-620.
Sincerely,
Rob Wilson
Posted September 1, 2010 at 11:59:04 AM
dan Spoelstra
Yes I miss the old days of E6 also, especially the 4x5 view camera.
I don't miss the time spent in the darkroom. Digital is getting better all the time.
It really is sad to think the old days of film are really gone.
dan
Posted September 1, 2010 at 12:42:01 PM
JAC
I'm another avid amateur photographer who, for 45 years, has been taking pictures. I finally bit the bullet three years ago and went to digital. The handwriting was on the wall when it took me all day travelling to different camera shops in the Fort Worth area to buy six rolls of 35mm color slide film to take with me on vacation. I wanted more, but that's all I could get.
Posted September 1, 2010 at 1:52:25 PM
Mike McGinn
Progress...technology...call it what you want. It's going to happen and nothing will stop it. I'm quite certain there were guys in the late 19th century bemoaning the passing of the "wet plate" collodion process. In "X" years there will be folks bemoaning the demise of digital photography as we know it today. Thomas does hit the nail on the head though. Get the government out of our way and let the markets figure out where they want to go.
Posted September 1, 2010 at 2:08:23 PM
MichaelSSEC
Every columnist's job is to educate and entertain, and most of them fill that role admirably. No other columnist, however, delivers such an array of subjects. Then again, not many columnists are still working at 80. Thank god for Dr. Sowell.
For myself, the transition to digital photography was a natural one, but came with a surprising hurdle. The astonishing delay between the pressing of the button and the actual taking of the picture, said delay necessitated by all the fussy processing that goes on in the camera's brain as it prepares the camera settings to take that perfect picture. This delay, as much a second and a half with older cameras, was maddening at first, but as with anything else the human mind adapts to new conditions. Seldom do I miss a photo opportunity these days due to shutter delay.
That's partly because today's digital cameras have reduced the delay to less than a second. In fact, I've read that modern digital SLR cameras have it cropped down to a barely noticeable fraction of its former size. But even in the bad old days of a few years ago, shutter delay was not a big problem except at sporting events or other motion-sensitive photography. For the most part, a little foresight was enough to compensate for the delay.
That disadvantage was more than made up for by the ease and versatility of digital enhancement. That's a gigantic leap forward in imaging technology, rivaled only by the invention of photography itself.
But even with all that convenience, speed and digital manipulation, there's still a lot to be said for the 35mm film camera. There's nothing like holding the film in your hand, loading the film in the camera and all the other rituals of traditional photography. It just felt right.
Posted September 1, 2010 at 2:14:43 PM
Gordon DeSpain
I've gone through dozens of Camera's in my life, mostly because I love Camera's, Minolta's, Canon's, Olympus's, and, Nikon's, not to mention a few Kodak's beginning with a real Browmie.
I've had film developed all over the world, from Venezuela to Indonesia, but, never tried Digital until about a year ago. I bought a Nikon D50, and, upgraded to a D90 after I discovered how great it is to just click on the picture I want and drop it into an Email.
I take tehnical pictures of broken Parts and ship them to manufacturers all over the world that can't seem to remember ever installing that part in their equipment, and, they're able to read the Part Numbers with no problem, solving my problem (no matter how much they enlarge the image to read the number...it's readable) "...oh, yeah, we have that, no problem."
I love print images, but, I love the ease of Digital that can be printed any size that fits your need. Now, I've got to start working on my collection of Lenses.
Posted September 1, 2010 at 2:28:48 PM
Ray Johnson
Thank your for this nostalgic column. First, it scares me that you are 80. I have been reading your columns for many years and it seems that somewhere we must have a common ancestor or two since our thinking aligns so well but we are from different sections of the country and other significant differences.
The second thought was concerning the government getting involved with Kodak's business. There are other examples such as the processing of the 110 film in the 70's. Interesting enough, Kodak did own the photographic business but it didn't last. I was an employee for many years and Kodak management knew digital was coming and would kill the film business. In the 70's they initiated many projects to do the R&D required to be the king of digital. Alas though, the big bear in the forrest, the film business, would do it's job to keep those projects as second tier work. Kodak did not become the king and really it is a shell of its former self due to the inability to change the mind set. Others such as Sony and Canon did their work and they now rule the market. What company do we admire today that in 20 years will be a relic? Who knows but there will be several.
Posted September 1, 2010 at 3:08:51 PM
Ol'Joe
Our sympathy to you, Dr. Sowell. The passing of E-6 is as painfully mournful as the passing of our other important "relics" of the past--cursive writing, honesty, manners and common sense. Thanks to government for their collusion.
Posted September 2, 2010 at 10:31:10 AM