Grassroots Commentary

A Pretender Tells the Truth on Pop-Music Prostitutes

Trevor Thomas · Apr. 25, 2016

Editor’s Note: This article was originally written September 13, 2015.

What a sad indictment on our culture that a twice-divorced Vaishnava, PETA loving vegetarian rock-and-roller who once tried to convince the drug-addicted lead singer of the Sex Pistols to marry her is now a voice of reason when it comes to the hyper-sexed nature of modern pop music.

Chrissie Hynde, the 64-year-old former lead singer of The Pretenders, recently implied that the “bumping and grinding,” underwear-wearing musicians Miley Cyrus, Rihanna, Beyoncé, Katy Perry and the like are nothing more than prostitutes. In accusing such singers of doing “a great deal of damage to women” with their risqué performances, the exact label use by Hynde was “sex worker.”

Hynde went so far as to accuse the gyrating hussies of putting women in danger. Hynde declared, “I don’t think sexual assault is a gender issue as such, I think it’s very much it’s all around us now. It’s provoked by this pornography culture, it’s provoked by pop stars who call themselves feminists. Maybe they’re feminists on behalf of prostitutes — but they are no feminists on behalf of music, if they are selling their music by bumping and grinding and wearing their underwear in videos. That’s a kind of feminism — but, you know, you’re a sex worker is what you are.”

Hynde’s is exactly right. And as I noted over a year ago, tragically, the “sex worker” and “pornography culture” she describes extends far beyond the realm of today’s pop music. For decades now, our media has been saturated with such smut. In our household, we’ve long referred to these Hollywood sluts as “high-priced harlots.” Whether in TV, motion pictures, music videos, swimsuit magazines, lingerie ads, burger ads, and so on, what else are we supposed to call women who do little more than make money by displaying their flesh?

For nearly three generations now, despite, in some cases, the best efforts of their parents, we have had boys grow into men who have seen thousands of images of scantily-clad, seductive-acting women. It is little wonder then that, instead of marriage and family, many young men now seek only “friends with benefits.”

As they take notice of what draws the attention of today’s young males, young girls are often duped into emulating the attractive and scantily clad women they see on TV and the internet, and in movies and magazines. Walk through any mall or park during warm weather. You will see girls from pre-pubescent age on up with their bodies barely covered.

As my lovely wife noted last year, “Females must begin to take some responsibility by dressing for respect instead of for sex. What we wear says a lot about us, whether we intend it or not. It isn’t fair for us to dress like sluts and expect men to behave themselves like gentlemen. It goes both ways.”

It is also little wonder then that we now live in a “hook-up” culture, where women and men both are a means to a selfish sexual end — which has, among other disastrous things, led to over 40% of American children being born out of wedlock. Most of these children are raised without a father. Much of the violent (including rape) and criminal behavior exhibited by boys and young men today is, to a great extent, the sad result of growing up without a father, or at least a father who will teach and model for them how they are supposed to treat women.

And instead of teaching and promoting eternal truths on sex, marriage, and the family, whether with abortion, the homosexual agenda, the transgender agenda, pornography, and the like, modern feminists have embraced nearly every sexually deviant perversion known in our culture. As the Apostle Paul put it, they are “God-haters, insolent, arrogant and boastful; they invent ways of doing evil.”

Chrissie Hynde recently penned Reckless: My Life as A Pretender. “I regret half of this story,” she declares. Hynde has been very candid about her sorrow for past drug and alcohol abuse, her broken relationship with her parents, and her sexual promiscuity. Modern feminists and their apologists are paying little attention.

In reviewing Reckless, the Boston Globe’s Mike Shanahan said that “controversial comments about rape and provocative attire” by Hyndes “suggests she may have a ways to go” when it comes to feminism. How duped by feminist lies does one have to be to stand up for the likes of a twerking demon-in-heat-like Miley Cyrus?

Make no mistake about it, unless they repent from their hedonistic lifestyle sooner rather than later, and if they manage to live long enough, many of today’s feminists will be sounding like Chrissie Hynde.

Trevor and his wife Michelle are the authors of “Debt Free Living in a Debt Filled World.” Contact him at [email protected]

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